"When using the 2.1 monitoring format, is the crossover at 80hz?"
Nathan
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Pro Tools sends only two output channels (ste- reo) to HD OMNI. The LFE channel, or .1 channel, is synthesized on the HD OMNI rather than being a separate Lf channel from Pro Tools. Consequently, when using a 2.1 monitoring format, one stereo pair of Output channels will be used for the Monitor path, and an additional stereo pair will be greyed out and unavailable as it is reserved for the Lf channel on HD OMNI. This is also reflected in the Output page of the I/O Setup.
For example, if the 2.1 format is assigned to An- alog output channels 1–3 in the Monitor Page of the Hardware Setup (see 1. below), in the Main Page of the Hardware Setup (see 2. below) and in the Output page of the I/O Setup (see 3. below), Analog 1–2 are assigned to “Monitor” and Ana- log 3–4 are made inactive since channel 3 is re- served for the Lf channel.
Nathan
___
Pro Tools sends only two output channels (ste- reo) to HD OMNI. The LFE channel, or .1 channel, is synthesized on the HD OMNI rather than being a separate Lf channel from Pro Tools. Consequently, when using a 2.1 monitoring format, one stereo pair of Output channels will be used for the Monitor path, and an additional stereo pair will be greyed out and unavailable as it is reserved for the Lf channel on HD OMNI. This is also reflected in the Output page of the I/O Setup.
For example, if the 2.1 format is assigned to An- alog output channels 1–3 in the Monitor Page of the Hardware Setup (see 1. below), in the Main Page of the Hardware Setup (see 2. below) and in the Output page of the I/O Setup (see 3. below), Analog 1–2 are assigned to “Monitor” and Ana- log 3–4 are made inactive since channel 3 is re- served for the Lf channel.
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