I'm sure there is a perfectly good reason for this but.... try this:
Setup a Mono track with a Signal Generator (1k Sine @ -20dB).
Bus it to a Mono Aux (Send fader normalized).
The Aux loudness meter will read -20dB.
All good so far.
Now, do the same thing but bus the mono signal to a Stereo Aux.
The Stereo Aux loudness meter will read about -6dB less (-3dB per channel) than the original -20dB test signal that was sent.
If a Square wave is used it will still be -20dB.
How do you explain the attenuation happening when going from Mono to Stereo using a Sine wave in this situation?
Is this Black Magic or Science?
Setup a Mono track with a Signal Generator (1k Sine @ -20dB).
Bus it to a Mono Aux (Send fader normalized).
The Aux loudness meter will read -20dB.
All good so far.
Now, do the same thing but bus the mono signal to a Stereo Aux.
The Stereo Aux loudness meter will read about -6dB less (-3dB per channel) than the original -20dB test signal that was sent.
If a Square wave is used it will still be -20dB.
How do you explain the attenuation happening when going from Mono to Stereo using a Sine wave in this situation?
Is this Black Magic or Science?
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