Hey
I'm using PT12.3 and there are some great features for sure.
My question is the sound of synths etc using the commit feature.
I've always moved synths from midi to audio the long way, setting a bus and recording them in real time hence not using the offline bounce feature until now.
While I love the workflow and simplicity of commit, I'm missing the quality but suspect it's the sound of offline bounce of midi to audio I'm not liking.
Just tested a track today which is very synth heavy, 6 Omnisphere2 tracks, 6 Kontakt tracks, 2 Massive, 2 Absynth.... you get the idea. Not running anything externally through outboard.
I'm just finding the Commit audio somewhat lifeless, losing punch and highs etc.
Any one else?
I'm using PT12.3 and there are some great features for sure.
My question is the sound of synths etc using the commit feature.
I've always moved synths from midi to audio the long way, setting a bus and recording them in real time hence not using the offline bounce feature until now.
While I love the workflow and simplicity of commit, I'm missing the quality but suspect it's the sound of offline bounce of midi to audio I'm not liking.
Just tested a track today which is very synth heavy, 6 Omnisphere2 tracks, 6 Kontakt tracks, 2 Massive, 2 Absynth.... you get the idea. Not running anything externally through outboard.
I'm just finding the Commit audio somewhat lifeless, losing punch and highs etc.
Any one else?
Commit Sound Quality - or is it offline bounce?
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